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Underwater Cave Photography is hard! (3rd Trip)

After strobe nightmares this trip is all about ambient light in the cavern zone. The idea being to take some of the pics i took earlier with a lower iso and longer shutter speed by using a tripod.

First things first I had to some how get the camera housing without a tripod mount onto the tripod. After some deliberation I decided epoxy would do the trip. If it doesnt work I will get one of the local metalworkers to tap out a thread in the aluminum tray. So here's some pics of how it looked.

ikelite slave strobe
ikelite slave strobe

ikelite slave strobe
ikelite slave strobe

After peeling off some of the excess epoxy, I wasn't convinced that it works properly on the aluminum of the camera tray. It peeled away with no resistance. I didn't want to overstress it. So decide to field test carefully!

I rigged a 3 pound lead weight to a boltsnap and did a quick pool test. All was well. the lead weight is a bit dangly an forces me to extend the tripod legs, but it seems better than weighting the tripod directly.

So next day the real thing. I get up at the crack of dawn and head out to Taj Majal again.

I jump in and clip off the camera and the lead weight. I carry the tripod in hand and can really feel the drag from both camera and tripod. My camera is clipped of on my left D-Ring. Normally i would just keep it in hand and rarely clip it, but with my hands fiull with the tripod this is not an option. I experiment a bit clipping on the right side, but now Im worried about the dome port banging against my cave light battery cannister. The lead weight feels a bit like a deco bottle and is quickly forgotton. I need to find a better way of carrying the tripod. I think with all the snag hazzards on it i might need to put in a bag and clip it off like a stage. that's what this all about though, getting a working system up running in the cavern before I even think about taking all this into the cave zone.

I arrive where I want to be and the light sucks! Where are streaming beams. Did i screw up the time? In fact I did. The effect I wanted and can be seen in earlier photos can be seen around 10am in July in Cenote Taj Mahal. Towards the end of the dive a few beams wandered in but as I'm diving before work I can't hang around to wait for the full show.

I decide to try some light painting. I set up the tripod on a big bolder, balance it out and attach the lead weight. Finally the Camera is attached and i make the focus using the exposure lock button (switching focus lock with exposure lock is discussed in the previous post) I set ISO400, 30" shutter and f22. I bracket the exposure one stop either side and press the shutter on a timer. As i wait I paint parts of the cave with my cave light. Hoping to bring a few of the darker areas into the picture. The result is below :

Taj Mahal Cenote

So how did the tripod mount work out? Badly! It broke after the photo above. For a quite exorbitant 100 pesos I now have a nice 1/4-20 hole tapped into the tray. 1/4-20 is pretty much the standard thread size for tripods and is definitely the size of my Canon EOS350D. Larger exist but generally on Medium Format cameras and older weirder ones.

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